Francine Van Hove
The remote world portrayed by Van Hove is
peopled by nude young women. The lighting which exposes them is of a
precise quality which makes their reality veer slightly, almost
imperceptibly, away from everyday reality.
Her figures strike up very natural poses which make us feel the existence of a precarious yet exquisite dividing-line between the ordinary and the extraordinary.
Her figures (she paints from ''live" models) define certain canons of beauty. This aptitude is characteristic of an innate sense of stylisation which has always been felt as necessary by painters who tend to paint timeless subjects.
Van Hove's art possesses the essential quality of suggesting without proselytising. It abolishes the distance between emotions and their perception. The subtlest feelings, the most tenuous allusions she has set down come across to us in a startlingly precise fashion. And the vibration in that transmission is pure pleasure.
Her figures strike up very natural poses which make us feel the existence of a precarious yet exquisite dividing-line between the ordinary and the extraordinary.
Her figures (she paints from ''live" models) define certain canons of beauty. This aptitude is characteristic of an innate sense of stylisation which has always been felt as necessary by painters who tend to paint timeless subjects.
Van Hove's art possesses the essential quality of suggesting without proselytising. It abolishes the distance between emotions and their perception. The subtlest feelings, the most tenuous allusions she has set down come across to us in a startlingly precise fashion. And the vibration in that transmission is pure pleasure.
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