Daniel F. Gerhartz
Born in 1965
in Kewaskum, Wisconsin, where he now lives with his wife Jennifer, and their
young children, Dan's interest in art emerged as a teenager. Studies at the
American Academy of Art in Chicago, Illinois and his voracious appetite for
museums and the modern masters such as John Singer Sargent,
Alphonse Mucha, Nicolai Fechin,
Joaquin Sorolla, Carl von Marr as well as a host of
other French and American impressionists have inspired him.
Dan has a particular interest
and appreciation for modern Russian art and the sumptuous canvases of the
painters Nicolai Fechin, Isaac Levitan
and Ilya Repin. As Dan
says, their paintings are "completely loose yet deliberate and faithful,
not at all flashy."
Indeed, the powerful and
evocative beauty of Gerhartz's
paintings are also due in large measure to looseness, honesty and
faithfulness of his style. Dan's paintings embrace a range of subjects, most
prominently the female figure in either a pastoral setting or an intimate
interior. He is at his best with subjects from everyday life, genre subjects,
sacred-idyllic landscapes or figures in quiet repose, meditation or
contemplative isolation.
His mastery of the female
figure, the clothed figure especially, is brilliant. He has drawn inspiration
from the very old tradition of romanticism and symbolism. His absolutely lavish
surfaces, color and lighting are in harmony with his expressionistic
brushstroke, application and modeling of light and shade.
His paintings are sensitive
yet evocative creations, which dramatize his bold and ambitious technique. He
is at his very best when he allows himself to explore the surface in a free and
painterly manner, while retaining his sense of other worldliness.
His subjects evoke a
timelessness and idealism, yet for the most part Dan has drawn upon his home
and community in Wisconsin, including family and friends. His sense of intimacy
and honesty with regard to his subjests are a direct
result of his closeness and proximity to them. A projection of tranquillity, repose and rich introspection result from his
knowledge of the content of his art.
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